6/25/2023 0 Comments Sarah banet weiser authentic![]() ![]() ![]() JCMS comprises a constellation of forums for scholarship. The journal is open to all areas of humanities-oriented scholarship in media studies, including digital humanities. ![]() We do not adhere to any methodological approach to media studies, nor do we focus on particular emphases in the field. We seek to promote a range of approaches to film and media studies and attendant fields, including (but not limited to) digital media, sound studies, visual culture, video game studies, fan studies, and avant-garde and experimental film and media practices. We publish critical inquiry into the global, national, and local circulation of a wide variety of media. To that end, JCMS is dedicated to intellectual diversity of all kinds. We are committed to the aesthetic, political, and cultural interpretation of these media and their production, circulation, and reception. ![]() JCMS’s basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. The journal was renamed (from Cinema Journal) in October 2018. The Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). ![]()
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